Tenor clef is losing some of its terrors, but the A-string still sets my teeth on edge when I get to 'f' or 'g' and above. However, when I think back a year and remember how anything above the open 'A' caused my fillings to loosen, I realise I have come far. Also, there is the pleasure of discovering new fingerings on the 'D' and finding a harsh phrase can be mellowed by changing strings. I must persevere, though with the 'A'.
I have been enjoying 'Greensleeves' by Vaughan Williams and thought I was playing it rather well (tenor AND TREBLE clef included) until, that is, I played it with my teacher and discovered that her sharps, flats and semitones were different from mine! There are many subtleties in a tone or semitone, aren't there? I have an old video of Tortelier playing a scale the Western way, then in the Eastern way and then - I think - in the Russian way. The differences were amazing. So, it's back to the drawing board for me and my English way.
2 comments:
Bravo on your progress! It's such a good feeling to experience improvement in tone and technique.
We're never quite "there," but we're always on the way.
Thanks, cd. Yes, it is good. I think I am learning that I must use more "wellie" on the 'A'. I think I am too tentative, anticipating the thready squeak before it actually is produced!
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